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Foundations

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There’s one rule you should always follow when dining out in York, and it’s this: look up.

My home city is head-scratchingly complicated. Thinking of opening a restaurant within the walls of York? Welcome to a heritage minefield, where you can’t unlatch a window without applying for planning permission first. Everything around you is deeply and highly old, and old to the left and old to the right. You’re stood on the icing of a fabulously stratified cake of Olde Ingredienffe – Roman, Anglo-Saxon, Viking, Medieval, Pre-Industrial, Post-Industrial, ’70s Concrete Abomination, you.

Except it’s never quite that simple.

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Giving Form: The Designer’s Intent

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When we become the hired guns of greed-driven corporations, we are driven to conform.

If we generate status kitsch for a jaded elite, and allow ourselves to become media celebrities, we perform.

When we twist products to reflect the navel-gazing of market research, we deform.

If our products divorce appearance and other functions – a telephone that looks like a duck and quacks instead of ringing, a clock-radio that looks like a female leg – we misinform.

When our designs are succinct statements of purpose, easy to understand, use, maintain and repair, long-lasting, recyclable, and benign to the environment, we inform.

If we design with harmony and balance in mind, working for the good of the weaker members of our society, we reform.

Being willing to accept the consequences of our design interventions, and accepting our social and moral responsibilities, we give form.

- Victor Papanek, The Green Imperative.

Image: Staircase at the BC Cancer Research Centre, Vancouver – by slightly-less-random.
The Green Imperative at Amazon.co.uk and Amazon.com.
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